Russian Thought
One can talk about “Three Sisters” for ages, for I am one of them and all three sisters at once, and also all the other characters at once.
Anton Pavlovich wrote about this in “Gooseberries”
A Moscow monthly, published from 1880. Both texts this episode runs on appeared in it first, in pre-reform spelling, in numbered “books”.
«Крыжовник» — Русская мысль, book VIII, 1898
First page. The footer reads книга VIII, 98 г. — the eighth book of the ninety-eighth year.

Public domain · Anton Chekhov, Русская мысль (1898) · Wikimedia Commons
~ ~ ~
«Три сестры» — Русская мысль, no. 2, 1901
Драма въ 4-хъ дѣйствіяхъ. On the left the cast list — Ольга, Маша, Ирина, Тузенбахъ, Ферапонтъ, Вершининъ — then Act One, opening on Olga in her blue uniform dress.

Public domain · Anton Chekhov, Русская мысль (1901) · Wikimedia Commons
Chekhov at the Art Theatre
The three sisters do not go to Moscow and continue only to dream of it until it becomes too late. The characters of “The Cherry Orchard” simply wait and undertake nothing until the estate is sold and axes begin to sound in the orchard.
Both plays were first staged at the Moscow Art Theatre — Three Sisters in 1901, The Cherry Orchard in 1904 — and both stagings were photographed.
Konstantin Stanislavsky as Vershinin, Three Sisters
Photograph by K. A. Fischer, Moscow Art Theatre, early 1900s

Public domain · K. A. Fischer · Wikimedia Commons
~ ~ ~
The Cherry Orchard, Moscow Art Theatre, 1904
Production photograph
Not a box set: rooms opening off rooms, the house continuing past the frame.

Public domain · reproduced in Alexander Bakshy, The Path of the Modern Russian Stage, 1918 · Wikimedia Commons
Three Sisters, out loud (МХАТ, 1947)
For Olga, Tulubaika has mosquitoes and cold, for Andrei — no ambitions and no decent restaurants, for Irina — absence of romance, for Baron Tuzenbach — absence of prospects, even for half-deaf Ferapont — there are no newspapers in Tulubaika because nothing literally happens.
The Moscow Art Theatre, which premiered the play on 31 January 1901, recorded it for radio in 1947 in Nemirovich-Danchenko’s staging — Yelanskaya as Olga, Tarasova as Masha, Stepanova as Irina, Boldumán as Vershinin.
Russian, unsubtitled, two hours fifty.
Public domain · Moscow Art Theatre, radio production 1947 · Wikimedia Commons