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Poignant, visceral, uncompromising exploration of the nature of truth, violence, and freedom.

Deleted Scenes from the Bestselling Utopian Novel

Vanya Bagaev

Book cover of Deleted Scenes from the Bestselling Utopian Novel

Available as softcover, hardcover, or ebook at all major retailers globally.

BOOK DETAILS:

Pages: 208

Softcover: 978-1-0687677-0-8

Hardcover: 978-1-0687677-2-2

eBook: 978-1-0687677-1-5

Literary fiction Dystopian Experimental Magical realism Surrealism Dark humour Absurd

"Deleted Scenes from the Bestselling Utopian Novel" is a surreal mosaic that transports readers into the heart of a dystopian world that is terrifyingly close to our own.

In Novo Tsarstvo, a remote northern island buried under snow, the senile Tsar rules with lies, an evil professor turns people into pig-faced demons, snow angels become acts of rebellion, black cats are outlawed, television knocks on your door in the morning, and nightmares claw their way into reality. We follow fractured lives of ordinary people: the disillusioned, the resistance, and those caught in between as they navigate the twisted totalitarian landscape and try to stay human in a dehumanising environment. Through their struggles, we confront the nature of truth, violence, and freedom, whilst witnessing the enduring capacity of the human spirit and childlike imagination in the face of oppression.

Experimental in form yet rooted in dystopian tradition, "Deleted Scenes" explores the psychological toll of tyranny through a kaleidoscope of perspectives. The author's prose blends gut-wrenching psychological horror with dark absurdist humour, creating an unsettling yet unforgettable experience.

Vanya Bagaev crafts a narrative that is as politically charged as it is psychologically complex. Poignant, visceral, and uncompromising, "Deleted Scenes" is an act of reflection, an adaptation of lurid dreams that poses the question: amidst the darkest nightmare, is there still hope?

Table of Contents
  • I
    • №1.1: Lacuna
    • №1.2: Schism
    • №1.3: Embrasure
    • №1.4: Luft
    • №1.5: Penumbra
  • II
    • №2: Monsters
    • №3: It's Beginning to Thaw
    • №4: Training Memory
    • №5: Fluffislav The Fearsome
    • №6: Dream (free sample)
    • №7: Soon
Reviews
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Clever, outraged novel of storytelling in a totalitarian state
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In a stream of consciousness, debut novelist Bagaev (author of The Debut Project and Other Stories) catalogs the dreams, attitudes, and absurdities of citizens living in a totalitarian dystopia. The vignettes are presented as samizdat errata, material that an “Editorial Committee” has deleted from a government-sanctioned utopian best-seller to preserve the book’s “narrative integrity” and avoid a “descent” into ”literary anarchy.” In these excerpts, readers discover the frozen island nation of Novo Tsarstvo, where the ruthless Tsar rules with violence and doublespeak: “one needs not lay a stone to build utopia; one can convince the rest they live in one already.” Police wear balaclavas and beat citizens indiscriminately, and the military detonates the lethal “Peace Bringer” bomb on the neighboring enemy island in the name of defense.

The collective inhabitants of Novo Tsarstvo attempt to make sense of their dehumanizing existence by imagining fanciful scenarios of how this fascist world came to be and how they can change it. Their fantasies include a professor creating the sadistic police as a race of pig-faced demons, Homo demonicus; a parallel dimension where leaders and newspapers don’t lie and benevolent rulers promote art and science; “television reality” that feeds alternate truths so pervasive that it takes on anthropomorphic form; and the shriveled and feeble Tsar as a marionette manipulated by his officials. Most scenarios are either alarmist or optimistic, but a couple are comical, like one centering on a stalwart woman who ignores the law against owning a cat.

Bagaev’s metaphysical observations strike with chilling accuracy, while the prose, despite the heady invention, is brisk and pointed, the storytelling as fleet as it is wild. A welcome fabulistic playfulness leavens the dehumanizing themes, even as Bagaev explores how a civilization evolves to practice sadism and genocide, the capacity for diverse perceptions of reality, and the steps, however small, it that must be taken to right the world’s wrongs. Readers who love outraged play and literary daring will appreciate Bagaev’s pained, vivid vision.
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Strong and dark like a morning coffee and sudden and unapologetic like a slap in the face
— Konstantin Asimonov on Goodreads
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A really good book from very talented Vanya Bagaev. Grab it while it's hot.
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Excellent on so many levels.
— Jeanne S on Substack
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Haunting and thought-provoking... both beautiful and unsettling
— Michael Rothwell on Amazon
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Bagaev's "Deleted Scenes from the Bestselling Utopian Novel" is a haunting and thought-provoking collection of interconnected stories that explore the dark underbelly of a supposedly perfect society. With vivid prose and surreal imagery, the author crafts a chilling portrayal of life under an oppressive regime. Each vignette offers a unique perspective on themes of freedom, identity, and the human spirit's resilience in the face of tyranny. This book will linger in your mind long after you've turned the final page, challenging your perceptions of utopia and the cost of societal perfection.
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The real tragedy of the aptly named Utopia is that it is, in fact, real for so many people
Oleg V
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The world Vanya's characters inhabit is grim, grotesque but incredibly believable.
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This was the kind of horror that sneaks up on you
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This was rough, emotionally charged and crazy all in one. These little scenes are glimpses, of us spying on the true horror of everyday people, trying to survive in a world that's broken. But not just broken by man, but broken by demons, the true evil inside and the things humans will do when they think they can get away with it, in a broken world, where most are just trying to survive. For this to have been fiction, I related to it very hard, this is going to linger with me for awhile.

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