Available as softcover, hardcover, or ebook at all major retailers globally.
BOOK DETAILS:
Pages: 208
Softcover: 978-1-0687677-0-8
Hardcover: 978-1-0687677-2-2
eBook: 978-1-0687677-1-5
"Deleted Scenes from the Bestselling Utopian Novel" is a surreal mosaic that transports readers into the heart of a dystopian world that is terrifyingly close to our own.
In Novo Tsarstvo, a remote northern island buried under snow, the senile Tsar rules with lies, an evil professor turns people into pig-faced demons, snow angels become acts of rebellion, black cats are outlawed, television knocks on your door in the morning, and nightmares claw their way into reality. We follow fractured lives of ordinary people: the disillusioned, the resistance, and those caught in between as they navigate the twisted totalitarian landscape and try to stay human in a dehumanising environment. Through their struggles, we confront the nature of truth, violence, and freedom, whilst witnessing the enduring capacity of the human spirit and childlike imagination in the face of oppression.
Experimental in form yet rooted in dystopian tradition, "Deleted Scenes" explores the psychological toll of tyranny through a kaleidoscope of perspectives. The author's prose blends gut-wrenching psychological horror with dark absurdist humour, creating an unsettling yet unforgettable experience.
Vanya Bagaev crafts a narrative that is as politically charged as it is psychologically complex. Poignant, visceral, and uncompromising, "Deleted Scenes" is an act of reflection, an adaptation of lurid dreams that poses the question: amidst the darkest nightmare, is there still hope?
Table of Contents
- I
- №1.1: Lacuna
- №1.2: Schism
- №1.3: Embrasure
- №1.4: Luft
- №1.5: Penumbra
- II
- №2: Monsters
- №3: It's Beginning to Thaw
- №4: Training Memory
- №5: Fluffislav The Fearsome
- №6: Dream (free sample)
- №7: Soon
Reviews
The collective inhabitants of Novo Tsarstvo attempt to make sense of their dehumanizing existence by imagining fanciful scenarios of how this fascist world came to be and how they can change it. Their fantasies include a professor creating the sadistic police as a race of pig-faced demons, Homo demonicus; a parallel dimension where leaders and newspapers don’t lie and benevolent rulers promote art and science; “television reality” that feeds alternate truths so pervasive that it takes on anthropomorphic form; and the shriveled and feeble Tsar as a marionette manipulated by his officials. Most scenarios are either alarmist or optimistic, but a couple are comical, like one centering on a stalwart woman who ignores the law against owning a cat.
Bagaev’s metaphysical observations strike with chilling accuracy, while the prose, despite the heady invention, is brisk and pointed, the storytelling as fleet as it is wild. A welcome fabulistic playfulness leavens the dehumanizing themes, even as Bagaev explores how a civilization evolves to practice sadism and genocide, the capacity for diverse perceptions of reality, and the steps, however small, it that must be taken to right the world’s wrongs. Readers who love outraged play and literary daring will appreciate Bagaev’s pained, vivid vision.